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Handel

Handel Gigue Siebente Suite in g moll - HWV 432

pental

1:52	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		18	10	3	5	96%
		18	1	3	3	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		18	10	3	5	96%
		18	1	3	3	100%
Organ Continuo		21	10	3	5	96%
		18	2	3	3	100%
Cello Continuo		18	0	3	3	100%
Double Bass Continuo		17	0	3	3	100%
Viola		16	0	3	4	90%
Violin 1		15	0	1	3	90%
Violin 2		16	0	3	5	90%
Bass		13	0	2	6	79%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		18	0	4	3	96%
Oboe 1		16	0	3	6	95%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		18	0	4	3	96%
Oboe 1		16	0	3	6	95%
Cembalo Continuo		15	20	4	6	77%
		20	2	4	3	89%
Oboe 2		15	0	3	5	89%
Viola		15	0	0	3	80%
Violin 1		19	0	1	6	80%
Violoncello Continuo		15	0	1	3	80%
Violone Continuo		15	0	1	3	80%
Violin 2		18	0	2	5	77%
Tenor as Fernando		15	0	4	8	55%

Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version

sven2011

1:48	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
Cello		16	1	0	6	96%
Semele		14	0	3	10	79%

May Love Preside

singthewords

1:39	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	10	3	9	99%
		17	1	1	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	10	3	9	99%
		17	1	1	6	100%
Flute		13	0	2	10	94%
Soprano		14	14	2	8	78%
Alto		13	15	2	8	75%

Handel - Sarabande Variations

Parasκevas

3:25	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	20	4	5	100%
		17	1	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	20	4	5	100%
		17	1	3	4	100%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
Violoncello Continuo		17	2	1	3	86%
Violins		15	0	2	8	73%
Rodelinda		13	0	3	5	68%
Contrabasses		14	0	0	3	60%
Violincello Continuo		14	0	0	3	60%
Violas		13	0	2	5	55%
Bassoon Continuo		14	0	0	3	15%
Oboe		10	0	0	6	14%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
Viole		18	0	4	8	83%
Contrabassi Continuo		25	0	10	10	81%
Violoncelli Continuo		25	0	10	10	81%
Bassoon Continuo		26	0	10	10	45%
Oboe 1		22	0	8	9	45%
Organo		16	39	5	9	40%
		20	1	5	9	41%
Cembalo Continuo		17	42	5	6	30%
		20	4	3	6	30%
Oboe 2		18	0	5	7	26%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
Violins		24	0	5	8	91%
		24	0	5	7	91%
Fagott		22	0	4	7	91%
Cembalo		23	49	6	7	87%
		26	72	5	7	84%
Tenor		15	0	4	5	82%
Oboe		15	0	4	6	74%
Soprano		15	0	4	6	74%
Alto		12	0	2	6	69%
Bass		15	0	3	6	65%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
Bass		14	0	3	8	84%
Violins 1		25	0	6	6	81%
Alto		14	0	3	8	79%
Violins 2		22	0	5	8	77%
Soprano		16	1	4	7	73%
Violas		20	0	5	8	73%
Double Basses		23	11	6	7	70%
C Trumpet I, II		13	0	1	8	54%
Timpani		2	0	0	8	34%

Handel Sarabande Siebente Suite in g moll - HWV 432

pental

3:22	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

HWV1A2N26 - Svenerò chi fa guerra a questo cor

edward.maurath

1:23	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		16	23	3	3	100%
		17	2	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		16	23	3	3	100%
		17	2	2	4	100%
Violoncello Continuo		16	0	2	4	100%
Violone Continuo		16	0	2	4	100%
Tenor as Osman		12	0	1	5	89%

Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare

edward.maurath

12:33	Est. Play Time
114	Measures
	1,315Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	1	3	2	100%
		17	1	3	2	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	1	3	2	100%
		17	1	3	2	100%
Lute		17	1	3	2	100%
		17	1	3	2	100%
Celli		17	0	3	2	100%
Continuo		17	0	3	3	100%
Contrebaß		17	0	3	2	100%
Violas		16	0	5	3	100%
Violins		23	60	8	6	100%
Vln 2		23	60	8	4	100%
Flute		20	0	5	6	89%
Cornelia		15	0	5	7	88%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		18	0	3	4	84%
Violins 2		17	2	4	4	84%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		18	0	3	4	84%
Violins 2		17	2	4	4	84%
Flute		15	0	3	4	75%
		17	2	3	4	75%
Esilena		16	0	6	4	71%
Cembalo (Continuo)		22	37	7	5	63%
		21	28	6	5	63%
Violoncello (Continuo)		18	0	3	5	63%
Contrabasses		14	0	0	5	43%
Violoncellos (Continuo)		14	0	0	5	43%

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